Thanks to Glasgow Review of Books for publishing this review of Belfast to Baillieston by the fantastic poet Finola Scott.
The book, Finola says, ‘is an honest tapestry of generations of a family.’
Writing
Neil Young on Belfast to Baillieston
Neil Young is a Belfast poet and publisher, living for many years in Scotland. His published works include: Lagan Voices (Scryfa, 2011), The Parting Glass (Tapsalteerie, 2016), Jimmy Cagney’s Long-Lost Kid Half-Brother (Black Light Engine Room, 2017), Shrapnel (Poetry Salzburg, 2019) and After the Riot (Nine Pens, Press, 2021). Neil is the founder of The Poets’ Republic magazine and Drunk Muse Press. In his poetry, you enter into a view on a fulsome, often chaotic space: he elevates the ordinary to brilliant and calms the unbearable to something nearing beauty.
I am grateful for Neil’s words below on my work.
Charlie’s gift is as a poet-storyteller who can crystallise in his evocation of a scene or an incident a breadth of personal, social and political histories. These observations drill into the particularities of the times and character of his forebears – resilient people but complex and contradictory people too who strived and struggled through the intense hardships and discriminations of working-class life in Belfast. This is a painstaking work of memorialising that is written both with sparsity and lyrical verve and – for all its unflinching gaze – shot through with love. A book as tightly woven as the best of Ulster linen.
Neil Young, poet/publisher – Drunk Muse Press & The Poets’ Republic
Belfast to Baillieston – published by Red Squirrel Press
Belfast to Baillieston is a family and industrial narrative that takes as its core the life of Jimmy Gracie, the grandfather of Charlie Gracie. This series of poems and short stories illuminates the harshness and the joys in the lives of this working-class family in the late nineteenth and twentieth centuries on both sides of the North Channel.
The lives in this book are unique in that they are Gracie lives, but they are the lives of almost all the people involved in the production of linen and coal and therefore of the vast wealth of their employers. In this honest reflection, Charlie Gracie draws on his own and family members’ memories, detailed research and creative imagination to lay a path from the mid nineteenth century to today. Jimmy Gracie, like many others, felt the weight of international capitalism, sectarian violence and political oppression yet managed to build a platform, with his wife Mary, on which future generations have built their and their children’s lives. Belfast to Baillieston explores how poverty, migration, fortitude and love all mingle to form the wholesome, honourable lives that families like Jimmy Gracie’s create from hardship.
Read what George Szirtes, Annemarie Ní Chuirreáin, Neil Young and Donal McLaughlin have said about Belfast to Baillieston.
You can hear Charlie Gracie reading from Belfast to Baillieston at several places in Scotland and Ireland – see more here.
Annemarie Ní Churreáin on Belfast to Baillieston
Annemarie Ní Churreáin is a poet from the Donegal Gaeltacht, Ireland. Her books include Bloodroot (Doire Press, 2017), Town (The Salvage Press 2018) and The Poison Glen (The Gallery Press, 2021). She is a co-librettist of Elsewhere, a new opera by Straymaker (IRL). Ní Churreáin is a recipient of many accolades in Ireland and across the world and her work has been translated into Galician, Italian and Lithuanian. Her work in The Poison Glen is of such deep humanity, shedding light on the lives of people lost in society’s dark places.
I am grateful for Annemarie’s words below on my book.
Belfast to Baillieston is a marvellous book about family and transformation. Here are poems that illuminate history from the inside out, carefully observing the realities of poverty, migration and loss alongside quiet, everyday acts of survival. Gracie is a compelling witness. This book will touch your heart.
Annemarie Ní Churreáin, Poet & Editor
George Szirtes on Belfast to Baillieston
Known and widely respected as a poet and translator, George Szirtes’ memoir, The Photographer at Sixteen, centred on his mother’s life, is a powerful exploration of how big history bears down on individual families. In his 2019 review, the Guardian’s Blake Morrison described it as ‘a brilliant, scrupulous portrait’. It is a book that moved me hugely and resonated with some of the themes I explore in Belfast to Baillieston.
I am grateful for George’s words below on my work.
Charlie Gracie’s Belfast to Ballieston opens a window on the historical lot, over more than a hundred years, not only of the Gracie family but also their class. We see events and moments in the specific family’s life, from work in the mills in the nineteenth century, through life in the mines, including emigration, and the Troubles. It shows a time filled with suffering, intimacy, and the early death common to those who worked in those industries. The story is told chiefly through poetry that is close to tongue and ear, the voices alive and spare. It is indeed living people we are facing, addressing us in living language. This is a splendid, deeply moving book, both as tribute and witness.
The Poets’ Republic – Issue 10
My poem, View from Cavehill, 1970, is published in Issue 10 of the excellent Scottish magazine, The Poet’s Republic.
The title of the issue is Poetry as Testimony, so I am delighted that my poem sits in there, with its themes of migration, poverty and witness.
The foundation of the issue in may ways are the voices of indigenous American poets. It is worth spending time reading the biographies of these writers. Their biographies speak of lineage, both generational and poetic. They give an insight into the power of the written and spoken word to frame people’s experiences and resonate very much with writers like me from an Irish-Scottish background. I’m sure it’s the same for others of different heritage.
The launch event for this issue of The Poets’ Republic was on Zoom, enabling poets from all over the world to share their work and listen to others. The event was led by Scottish Poet Lesley Benzie. Lesley’s poetic voice is as strong as any, and her poem John Pilger set the scene powerfully for the indigenous American poets. The poem is one of many she read from her excellent Fessen/Reared collection, published by Seahorse Publications in 2020. Poets like Lesley Benzie, and others in this edition, generate energy that stirs up the puddles.
Alan Riach is Professor of Scottish Literature at Glasgow University. His interesting essay in The National of 14th February 2022 (Culture is no longer the preserve of the wealthy few) discusses the increasing diversity and strength of Scottish poetry. Work by Lesley Benzie is noted by him as an example of this strengthening.
The Poets’ Republic has a desire to bring voices together, with more than bit of an edge. It is home to the Gaelic Poblachd nam Bàrd and affiliated with Drunk Muse Press. In his excellent editorial, Hugh McMillan reflects (with less optimism than Alan Riach) that the hierarchies that dominated theScottish poetry scene in the past still hold sway. ‘This narrowing and exclusivity is at odds with the explosion of interest in and profusion of poetry in Scotland.’
The Poets’ Republic is well worth a close read.
New poetry collection: Tales from the Dartry Mountains
It’s being printed as I write, my new poetry collection, published by Sally Evans from the excellent diehard Press. Gerry Cambridge provided the cover design and because he’s the best in the business, people are already raving about. It really adds to the overall feel, look and quality of the book.
“A masterly, honest and melancholy collection.” Des Dillon
The Dartry Mountains run from Benbulben in County Sligo north to Arroo that overlooks Lough Melvin. My mother was born among these mountains in the town land of Magheramore, Glenade. This is border country: Lough Melvin is run through with a dotted line that marks the join between Fermanagh and Leitrim, the UK and Eire, Ulster and Connacht.Â
Launch events
I’ll be introducing the collection to the world at the Allingham Arts Festival in Ballyshannon, County Donegal on 10th November. An apt place, as the Dartry Mountains reach almost up to there from Sligo. The festival is a broad arts festival with a reputation for being a friendly and open space for artists.
On 19/11 I’ll be at the CCA in Glasgow for a Scottish Writers’ Centre event with renowned Irish short story writer Donal McLaughlin and prize-winning Finola Scott, who will launch her new poetry collection with Red Squirrel Press. What fine company to be in!
From there, look out for events in Callander (05/12), Baillieston Library (again with Finola Scott, 10/12) and Highland Lit (21/01/20). Other events are in the pipeline for Stirling and Edinburgh.
Charlie Gracie’s new poetry collection coming soon!
Tales from the Dartry Mountains is on its way. Charlie Gracie’s new poetry collection will be published by Diehard in January 2020, with launch events this November.
Des Dillon on Tales from the Dartry Mountains
Charlie Gracie’s poetry set in Ireland takes you directly into the history of his family and the history of their land. The intimacy with this land now lost in those who had to leave. It’s never directly said but those who had to leave are now out of sorts and out of place in a land that just doesn’t quite fit them. The poem where his mother rides a chopper bike to work describes this out of placeness perfectly. There is a constant drone of grief for what an immigrant loses; never again to be Irish and never quiteÂ
Scottish. And too far removed in time now anyway to ever go back and find what is lost. The political oblique-ness and visceral descriptions are what makes these poems work, no lectures, no diatribes and more philosophical insight than anger.
The second part of the collection deals mostly with Scotland (with a few trips elsewhere) and there are some crackers in here too. It seems to me that the melancholy of the emigrant from the Darty Mountains must bleedÂ
into whatever Gracie writes about in the here and now. The trace of melancholy and the longing for something we shall never receive resonates through the whole work. Take For betterfor instance; a tremendously truthful look at old age and tucked away, like a genius in Easterhouse, is a breathtakingly exact line that could be a whole poem itself (read it and see it). Or the T shirt for those whose loved ones have disappeared into dementia.
A masterly, honest and melancholy collection.
Des Dillon is an internationally acclaimed award winning writer, born in Coatbridge: poet, short story writer, novelist, dramatist, scriptwriter for radio and screen.Â
Book review: The Scottish Book of the Dead by Gavin Broom
The Scottish Book of the Dead by Gavin Broom
My rating: 5 of 5 stars
This book takes you into the guts of a fractured family in the aftermath of a death. Old enmities, old pains flow in the novel’s veins. Told from the perspective of four characters, the narrative weaves around the family’s tense life. It never feels overloaded, and resolution is always just out of reach, implied creatively in Gavin Broom’s direct, often surreal narrative. The story swings wonderfully across continents, time and realities. Dialect and language are well-handled, giving the characters authenticity.
It’s a funny book too, despite the underlying miseries in the characters’ lives. That mix is managed well, the humour as punchy as the rest of the drama. Mythological references are there (implied clearly in the title), but again, these are never overplayed.
The Scottish Book of the Dead succeeds in drawing disparate, pained lives together into a very enjoyable read.
View all my reviews
Charlie shortlisted for Bridport and Cambridge short story prizes & appreciation to Donal McLaughlin
I’ve gone back to writing short stories this year and put a couple forward for prizes. I was fortunate enough to be shortlisted for both the Cambridge Prize and the Bridport Prize. For the former, the publisher TSS will include the story in their first anthology, due out in early 2019.
One of the things that really helped me was getting a hold of Fires by Raymond Carver. I’d read a few of his pieces over the years, but this collection of is writings, often about writing itself, is really focused. I’d recommend it to anyone wanting to do more, to get better. Big thanks to Donal McLaughlin, the Derry-born writer and translator who gave me the book as a gift.
You should look Donal McLaughlin up. His short story collections, An Allergic Reaction to National Anthems and Beheading the Virgin Mary, contain most excellent examples of the short story form. His translations from German have made him an award-winning writer in two languages: German and Derry English.